There’s only one question: is Argo worthy of its Best Picture wins?
Absolutely.
From a cynical viewpoint, like last year’s The Artist, Argo is a film about the enduring power of cinema. Set during the Iran Hostage Crisis of 1979,
it depicts the true story of how the CIA used a Hollywood cover up to rescue
six US civilians hiding in the Canadian embassy in Iran. At the helm, literally and figuratively, is
Ben Affleck. The film’s postscript
details the political success of the operation but, shown above images of Star Wars figurines, the subtext of
Hollywood’s success, is clear.
Argo doesn’t just pander to the Academy though. Rather, Affleck has directed a film that
zones in on human courage, where the craziest of schemes might just work.
The opening act details the frenzied
invasion of the US embassy and the lucky escape of the six civilians. It’s a serious and intense opening to a film
that takes a humorous turn in its second act.
Hollywood is a comically realized world of cinema filled with
self-deprecation and knowing nods, especially with the ‘Argo’ film itself containing
more than a few unsubtle links to Star
Wars. At first it’s a jarring
conjunction of cinematic styles, but not only does it underline the absurd
nature of this rescue attempt, it perfectly represents the utter clash of
cultures between the States and Iran. Through
clever editing, the film juxtaposes scenes from each country, heightening
tension and providing a cast of characters whose rescue we are totally invested
in. The culture clash reaches a volatile
climax during the actual rescue – a genuinely intense episode that Spielberg
would be proud of.
Moreover, Argo is a fusion of political thriller and Hollywood
blockbuster. Far from cancelling each genre
out and making light of the situation, this is a touching story that hovers
just above the realms of sentimentality.
Unlike many films centered on US – Middle Eastern relations, Affleck has
created a truly feel-good film with universal appeal, highlighting a true feat
of human bravery.
Zero
Dark Thirty is the more daring and provocative film
this awards season, but few missions are as daring as the one depicted in Argo.
And that deserves to be celebrated.
4/5
