Wednesday 12 June 2019

Afterglow @ Southwark Playhouse

Afterglow @ Southwark Playhouse

Afterglow really wants to shock. Written by S. Asher Gelman and arriving in London after a considerable run in New York, it aims to be a progressive look at homosexual (open) relationships. But it's more conventional than it purports.

The plot is fit for a postage stamp: married gay couple in open relationship shocker. One of them falls for the third guy, which consequently ruins their marriage - a conclusion that's obvious from the very beginning.

It's meant to be an open and raw portrayal of homosexual promiscuity, but the play seems to be grabbing attention for its nudity more than anything. Early on it seems each scene either begins or ends with sex and there's even an on-stage shower that's frequently used. It feels like titillation to draw in the crowds.

That's a shame because there are some interesting ideas weaved into the narrative. "Love is easy, relationships take work," notes one character. What exactly makes a meaningful relationship? How long should they last? Are humans (here, men specifically) capable of monogamy? These are worthy themes to be explored.

Yet Afterglow is let down by its characterisation that represents a glossy, attractive version of gay life. Josh (Sean Hart) and Alex (Danny Mahoney) are a married couple living in a sleek New York apartment (beautifully designed by Libby Todd). They're in the process of having a child. They're wealthy professionals. They have a hedonistic lifestyle of sex and champagne. Even third-wheeler Darius (Jesse Fox) isn't exactly living a bad life, despite struggling with rent. All three men wear designer underwear, when they're wearing any at all.

They're also young, typically attractive, fit, and white - an issue of casting more than script, though the actors do have great chemistry. They're blinded by their privilege. When one character claims "dating is hard" because he's "paralysed by the illusion of choice" it's hard to sympathise with such narcissism. Gelman's natural dialogue certainly fits the setting, but the only issue for these men is airing their, literal, dirty laundry.

It's all decidedly conservative. What would be more progressive would be diversity in its actors, their ethnicity and body shape. Or perhaps an ending in which polyamory does work, that doesn't rely on the hetero-normativity of marriage.

Instead, it leaves us questioning why we should even care for these self-absorbed characters. The narrative is ultimately boring, and no amount of nudity, shower sex or designer underwear can change that.


Watch: Afterglow runs at the Southwark Playhouse until 20th July.

Afterglow @ Southwark Playhouse

Afterglow @ Southwark Playhouse
Photos: Darren Bell