Émile Zola’s Thérèse
Raquin may not be the most obvious choice for musical treatment, but in
Nona Shepphard’s concise adaptation the plot is stripped to its basic
components allowing music to take the fore.
This is a dark and sombre chamber production, the set a claustrophobic
construction of nooks and crannies from which the ensemble sing and creep in
the shadows. An intense and erotic
thriller, the plot centres on the apathetic titular Thérèse living with her
overbearing aunt Madame Raquin and her petulant, sickly cousin Camille who she marries. Soon she begins a passionate affair with
Camille’s friend Laurent and together they plot to murder Camille. After the event, however, the couple are
racked with guilt and haunted by visions of the dead, causing their
relationship to collapse.
There are some light touches of humour, but for the most
part this is a thoroughly gripping drama.
No amount of emphatic lyric repetition can enforce the necessary sense of
danger between the two lovers, though there is great sexual tension between
Julie Atherton’s melancholic Thérèse and Ben Lewis’ strapping, animalistc Laurent. The second act in particular is a haunting
depiction of guilt, Jeremy Legat’s Camille appearing zombie-like behind the set
and Tara Hugo’s immobile Madame Raquin delighting in the tragic denouement with
just a flicker of her eyes.
It’s a bare bones plot that’s heightened immeasurably by the
new score from Craig Adams. Accompanying
the ensemble solely on piano, the score is seemingly inspired by Schubert’s
lied with its hypnotically repetitive arpeggios that constantly drive like the
turning of a screw. Folky, melismatic
vocal lines merge into dissonant harmonies and lines overlap in great dramatic
choruses. The singing is excellent,
especially from the three chorus girls singing the inner monologues of the
often mute Thérèse. That said, it is
difficult for such strong voices to blend in such a small space without
microphones.
In short, Thérèse Raquin
is a disturbing and richly atmospheric production, with a score that is to
die for.
4/5
Watch: Thérèse Raquin runs
at the Finborough Theatre until 19th April.