Feathers
In The Snow, the latest theatrical production from playwright and author
Philip Ridley, is the last to be performed in the vaulting chambers of the
Southwark Playhouse before its temporary relocation. As the play’s action hinges on humanity’s
constant need to find a ‘home’, it’s a fitting finale to the theatre as it
currently stands.
Ridley’s writing often challenges with its emphasis on the
darkest and most disturbing elements of our lives and his writing for children
is no different. Feathers In The Snow is a true family show, with a narrative that
questions death and war amongst other ‘adult’ themes but presents them in a
playful, childlike manner that is easily accessible. Ridley takes us on a fantastical, episodic and often chaotic journey that incorporates fairytale tropes: kings and princesses, faraway
kingdoms, talking animals, a Sea Witch and (most importantly) a magical
bird. Each episode features exciting and comically self-referential storytelling
through song, speech and physical theatre by an energetic ensemble cast, like a
series of drama games. Those playing
multiple parts (Cerith Flinn and Adam Venus especially) were a delight to
behold, with imaginative portrayals of colourful and exuberant characters. Through Ridley’s stichomythic dialogue, the
plot swiftly snowballs as characters and locations come and go. The minimal set and basic costumes work in the
production’s favour, allowing the audience to use their imaginations to
envisage each new wonder.
Yet Feathers In The Snow
doesn’t shy away from tough themes, brought to life through the visceral
production. War chants threaten from
behind the audience, characters are tortured before our eyes and, frequently, favoured
characters meet their demise. This is
not a production that patronises its audience.
Instead, themes are simplified in a way that allows us to question their
validity – in Ridley’s hands, war is futile and squabbled over by history. It provides a lesson for children and adults
alike, the parallels with today’s society clear for all to see. At the close, after such a fantastical journey, the final pop song then brings us back to reality with a jarring bump.
With Feathers In The
Snow, Ridley’s fable presents profundity through innocence. The play teaches us that every decision,
however seemingly small, can have far-reaching consequences – a grand notion as
seen through the eyes of a child. Don’t
make the wrong decision – this production is not to be missed.
4/5
Pictures courtesy of Bronwen Sharp.
